Architectural Lithograph Study: St. Hildebert, Gournay - Fragonard 1822 (Plate 108)
£395.00
Description
This distinguished 1822 lithograph, designated as Plate 108, serves as a compelling concluding study of the architectural grandeur within the Church of St. Hildebert in Gournay-en-Bray, Normandy. As part of the prestigious "Normandy" volumes of the Voyages Pittoresques, this plate shifts the focus toward the complex interplay of the church’s structural arches and the intricate masonry of the upper elevations.
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Architectural Lithograph Study: St. Hildebert, Gournay - Fragonard 1822 (Plate 108)
Artist: Alexandre-Évariste Fragonard (1780–1850) | Dated: 1822
This distinguished 1822 lithograph, designated as Plate 108, serves as a compelling concluding study of the architectural grandeur within the Church of St. Hildebert in Gournay-en-Bray, Normandy. As part of the prestigious "Normandy" volumes of the Voyages Pittoresques, this plate shifts the focus toward the complex interplay of the church’s structural arches and the intricate masonry of the upper elevations.
The work is dated in the plate Fragonard 1822. It masterfully captures the deep-set moldings and the weathered, tactile quality of the medieval stonework. Fragonard’s expertise is particularly evident in the subtle graduated shading, which conveys a sense of immense scale and the hushed, hallowed atmosphere of the Romanesque interior.
The print is housed in a new Black Ebony-style frame. The substantial profile of the moulding acts as a modern "window" into the 19th century, providing a sharp, monochrome contrast that emphasises the lithograph's fine lines and historical gravity.
Alexandre-Évariste Fragonard was a central figure in the French Romantic movement, tasked with documenting the nation's architectural heritage for Baron Taylor’s monumental publishing project. Plate 108 represents the culmination of his studies at Gournay, capturing the robust Norman-Romanesque style before it gave way to the lighter Gothic period. These plates were designed to evoke "Romantic Awe," transforming architectural documentation into a highly emotive art form.
Dealer’s Comment
"Plate 108 is the perfect anchor for this series. While the previous plates focus on specific details, 108 provides a broader sense of the church's architectural rhythm. The new deep ebony-style frame gives the 200-year-old paper a crisp, high-end finish. When hung together with plates 104, 106, and 107, it completes a narrative of French heritage that is both scholarly and visually stunning."
Condition Report
The lithograph is in good antique condition. The paper displays a gentle, natural age-toning and very light, authentic 'foxing' consistent with its 1822 origin.
Newly framed to a professional gallery standard in a deep-profile ebony-style frame. All materials used in the mounting and framing are archival, ensuring the long-term preservation of this 200-year-old work.
Measurement
Height:Â Â Â Â Â Â 61 cm /Â Â Â 24 inch
Width:Â Â Â Â Â Â Â 50 cm /Â Â Â 19.7 inch
Depth:Â Â Â Â Â Â Â 3.5 cm /Â Â Â 1.4 inch
Weight:Â Â Â Â Â Â 2.7 k.g. /Â Â Â 6 lbs
Cleaning, Polishing & Restoration
All our collections have been through our workshop and where possible, we always try to maintain the original finish preserving the patina and colour, some items are sympathetically restored and this is done by our own skilled craftsmen using only traditional methods
