£1,550.00
This original watercolour, signed by the artist, is by the British painter Derek Carruthers (1935–2021). The composition presents a circular arrangement of articulated artists’ mannequins positioned around a small, isolated central figure, set against a vivid red ground.
This original watercolour, signed by the artist, is by the British painter Derek Carruthers (1935–2021). The composition presents a circular arrangement of articulated artists’ mannequins positioned around a small, isolated central figure, set against a vivid red ground.
The surrounding mannequins lean inward, their repeated gestures forming a visual frame that draws attention to the solitary figure at the centre. This contrast between scale and number establishes a powerful psychological tension, suggesting themes of scrutiny, isolation, vulnerability and collective pressure. The use of mannequins eliminates individual identity, allowing the scene to operate as a universal metaphor rather than a specific narrative.
Executed in watercolour with confident draughtsmanship and a bold chromatic palette, the work demonstrates Carruthers’ ability to combine strong visual impact with conceptual clarity. The intense red background heightens the emotional charge of the composition, reinforcing the sense of focus and enclosure.
Throughout his career, Derek Carruthers made sustained use of articulated artists’ mannequins, which he employed both as teaching tools and symbolic devices. As Head of Art at Durham University, he used mannequins to instruct students in structure, proportion and movement. In his own practice, they became anonymous surrogates for humanity, enabling him to explore power dynamics, conformity and social behaviour.
Carruthers was a significant figure within Modern British art, closely associated with mid-century developments in abstraction and structure. He was a contemporary and colleague of Victor Pasmore, and both artists played influential roles in shaping post-war British art education and practice.
Purchased from the artist’s estate.
This is a visually arresting and conceptually strong example of Carruthers’ figurative work. The dramatic use of colour and the concentrated inward movement of the mannequins create a compelling sense of psychological focus. Although undated, the work aligns closely with Carruthers’ mature practice and reflects themes that recur throughout his career. Signed works of this strength, particularly with direct estate provenance, are increasingly sought after.
Great condition - Purchased from the artist’s estate.
Height:    82 cm  /   32.28 inches (with mount)
Width:     61 cm  /   24.01 inches (with mount)
Height:    71 cm  /   27.95 inches (without mount)
Width:     50 cm  /   19.86 inches (without mount)
All our collections have been through our workshop and where possible, we always try to maintain the original finish preserving the patina and colour, some items are sympathetically restored and this is done by our own skilled craftsmen using only traditional methods
We complete a full assessment, re-wire and PAT inspection on all lighting. The full assessment can include general upkeep and updating – Fitting new lamp holders, deep cleaning, minor repairs and replacement of fragile metal pins are all part of our service. Rewiring includes a standard rewire to conform with UK electrical regulations to an adaptation or conversion